The
Lynching of W.C. Williams
This postcard depicts
the lynching of W.C. Williams in Ruston Louisiana, on October 15, 1938. Of all
the photographs I viewed, this one struck me most, first because the event it
captures it took place later than any other in Allen’s collection. Our resource
purports that Williams was most likely castrated before being hanged based on
the blood dripping down his legs. A quick google search makes the photograph
even more disturbing.
According
to Northeastern University Law Schools’ database, Williams was a 19 year old
African American who was not sound of mind. The lynching of Williams was
orchestrated by three white male teenagers, in response to the recent killing
of R.M. Blair, a white man, and the beating of his female companion. A lynch
mob which grew to about 3,000 people disregarded the sheriff’s pleas for order,
and Williams was tortured, shot, hanged, and ultimately burned to death. The
image in the photograph is particularly graphic, as the angle of the shot
reveals the torture Williams underwent prior to his death.
The
setting of the photograph seems to be a rural area, however, to draw such a
crowd, the scene of the lynching must have been publicly accessible. The angle
from which the photographer takes the photo is significant because it captures
the gathered crowd, who all appear to be there for the spectacle. The fact that
in 1938, areas like Ruston Louisiana could attract over 3,000 people to watch a
gruesome lynching is astounding. It reveals the extensive racial tensions and
white supremacy which pervaded in areas of the Deep South then, and continues
in certain areas today. It really is quite horrifying to see both indifference
and general revelry on the faces of those in the crowd. Even more upsetting is
that the lynching was facilitated by three white teenagers who simply happened
upon Williams while driving down a rural road. I do not know whether the three
teenagers were the ones who ultimately killed Williams, but they initiated the
lynching. This reveals social structures, especially in the South, in which
being young, white, and male gives one an inordinate amount of power, and
essentially shields one from the consequences of heinous actions.
Williams
was the complete opposite of the young males who initially captured him. He did
not have the privilege of being white, or even sound of mind. This makes his
lynching all the more disturbing. While one might think that he might be
treated better as a result of his mental disability, I would venture to say
that his disability and the color of his skinned combined perfectly in the
minds of the gathered crown, and painted the picture of a deranged, deviant
killer. And thus, he was castrated, like an animal that is not fit to breed.
The dehumanization of Williams is beyond comprehension for me.
While
the photograph in and of itself is extremely disturbing, the context
surrounding the events makes it even more so. What is most unsettling to me
though, is that a culture existed in the United States even a century ago which
was desensitized to not only the practice of lynching, but also to depictions
of it in ways which painted spectators as highly amused, killers vigilante
heroes, and victims as animals.
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